The author Thomas Pynchon (Gravity’s Rainbow, Inherent Vice) has a hot take in Pluto in two of his books, maybe more. Maybe his natal Jupiter opposite Pluto helps him tune into it more. When you are born with that bit of business, you do Pluto with dubstep; it’s part of your rhythm. When you get ambitious or excited by ideas; hello Uncle Pluto.
“Pluto is in my sign now, held tight in its claws. It moves so slowly and so far away…but it will burst out. It is the grim phoenix which creates its own holocaust…deliberate resurrection. Staged. Under control. No grace, no interventions by God.”
The Arts Of Pluto
He writes of the “arts of Pluto”, “Pluto alerts”, “Plutonian wives” and a Pluto “stuck to within a few degrees of its cusp, trying to get out of Libra.”
And Mithras-obsessed sappers who “…seeking Ormazd, God of Light, found rather a condensed blackness, which hides light within, till set aflame…”
Pynchon is good on Plutocrats: “that’s not the way it works, said Scarsdale Vibe, or so we always hear the Plutocracy complaining.” He portrays them as hardcore occult hustlers, not so much uncaring about the Earth or other elements but seeing themselves as an elemental frequency in competition with it. And one of his early sub-plots features the realm of Chthonica, ruled by Princess Plutonia.
Pluto Was About To Get Back To Its Ancient Underworld And Nihilistic Ways
You could go looking for interviews with him, to mine insight into his experience of Pluto but in classic Plutonian fashion, he is famously a recluse. He doesn’t give interviews but let himself be rendered as a Simpson’s character. A Seventies Playboy magazine article complained that the journalist’s wife had left him for the author and alleged that Pynchon was part of covert government experiments into L.S.D.
His Taurus Sun is near Uranus (not quite conjunct) but his literature confronts Pluto themes with a Uranian twist.
And this, from Vineland:
Image: Niken Anindita